Archive for 'Interviews'
Jill Pilaroscia: Give Color a Chance
“Color isn’t just about surface decoration. There’s a cellular response to color that we have as human beings, and it’s that response which we are addressing when we work with color. Sometimes colorizing a space costs more to do and to maintain. But our environment shapes behavior. It’s WORTH spending time on.
Few architectural institutions offer a formal program addressing color in the built environment. Any exposure they have to color theory is frequently through studio courses that focus solely on two-dimensional color applications. Architects aren’t taught about bio-responses to color. They’re not taught how they can move volumes around in space through the application of color, or how they can use color to shape experience and behavior. I’d like to tell them not to be afraid of color. Give color a chance!”
– Jill Pilaroscia
Friday, July 30, 2010 | Rebecca Firestone | Add a Comment
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Anne Fougeron: Architectural Edge in the 21st Century
“Architecture is a tough profession, and it’s not kind to women. It’s not kind to anyone, really. But you’ve got to claw yourself out of that hole. You have to fight the fight. You can’t stay in the back, because nobody’s going to fight that fight for you. NUMBERS MATTER.
With the Planned Parenthood clinics, I didn’t want clinics that look like a prison. There’s already so much victimization of women… why punish them further by making them come to a jail for basic care? Ninety percent of Planned Parenthood’s business is providing basic gyn care – exams, pap smears – for women who can’t afford it any other way. These women already going through enough in their lives. Some of them already have other traumas to work through. The clinics should make them feel wanted and safe.”
Monday, June 21, 2010 | Rebecca Firestone | Add a Comment
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Greg Warner on the Importance of Place
“The importance of place means respect for what is actually there – including its history. If clients come to us requesting a specific regional or historical style, we respond by asking them what they like about the style they have selected and try to elicit the underlying qualities that attracted them to it in the first place. Then, ideally, we can embody those qualities in a design that’s actually the best fit for the project and its context.
The early design stages are a sort of courtship between architect and client. We’re really interviewing each other to see if there’s a mutual alignment. Just as we listen to their desires, we also educate them on what our values are, and they ideally buy into that early on in order for the project to be mutually successful.
We design homes with the client’s full life cycle in mind, and beyond. The home has to be versatile enough to accommodate generational life changes without requiring a renovation every 10 years. Sometimes this freaks out the clients a little bit! They’re not used to thinking this far ahead. We’re creating their home as an heirloom and a legacy to future generations.”
[Cover photo by Cesar Rubio]
Tuesday, June 15, 2010 | Rebecca Firestone | Add a Comment
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Matarozzi/Pelsinger: Contemporary Builders and Craftsmen
“We like contemporary architecture. The buildings are refined designs that minimize fluff. Their lack of ornament actually increases their attraction for us as builders. There’s an organic feel to a well-thought-out modern building. We believe in the adage that form follows function.
“The best workers bring a dedication to craft to every job. You can tell who has it by watching how someone works on the job site. Watch how he or she goes about problem solving. Can he solve the problem and keep working? Can he apply what he learned yesterday to solve a new problem today? Some people need to be shown every single time. I look for other things, too. Does he keep his tools organized? Does he know how to work in rhythm? Does she anticipate what’s coming next? It’s having an intuitive feel for the job. I’m always watching out of the corner of my eye, to be part of the rhythm and flow of the team.”
Tuesday, June 08, 2010 | Rebecca Firestone | Add a Comment
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Michelle Kaufmann: Phoenix Rising
“My husband and I were looking for a place to live and all we could find was crap! We couldn’t afford anything well-designed, well-made, and energy-efficient. After seeing the thoughtless crap that was filling the landscape, we painfully decided to do something about it.
“We got a bit of property and built a little “green” house on it. Then we thought about the possibilities for mass production, and said, YES! Now, there’s no “if” when it comes to green, healthy, efficient homes. And they can be well-designed and affordable. It’s in how you make spaces, views, and light. The space should feel big, but you don’t have to build it big.”
(Photo: Sunset Breezehouse, designed and photographed by Michelle Kaufmann)
Thursday, May 20, 2010 | Rebecca Firestone | Add a Comment
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Brooks Walker: Respectful Designs That Last
I like to say that great clients create great buildings. The collaboration between architect and client is a dynamic tension, a matrix for ideas to coalesce. Constraints can be liberating because they give you a direction. It’s an art form, like classical music or haiku. You can’t just do whatever you want.
Our goal is to create a building that is so well designed, out of such durable materials, that no one would want to knock it down later on. We have to be careful about where and how much the architect’s ego should come in. After all, we’re not the end users. We want our buildings to outlast us.
A good motto might be, “Design something like you care.”
[Cover photo by Cesar Rubio]
Wednesday, March 31, 2010 | Rebecca Firestone | Add a Comment
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From Dubai to Haiti: Richard Best, Sustainable Architect
“A master plan has to take into account the natural and economic resources available in the region.…You have to think about commerce. In order for such a plan to be effective, it has to include more than pretty buildings. It has to be realistic. You can’t plan on exporting pineapples from Haiti for example – not enough arable land for it.
For sustainable development, unfortunately the best opportunities often present themselves in the form of natural disasters, such as Haiti’s recent earthquake. This is an opportunity to turn human tragedy into a triumph by creating better, more livable cities.”
Friday, March 05, 2010 | Rebecca Firestone | Add a Comment
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Olle Lundberg: Hand of a Craftsman, Part 1
“Our firm’s work is really about small projects, carefully crafted. It expresses the hand of the builder. The role of the craftsman is so rare today. You can take something hand-crafted and replicate it by machine, but then it’s no longer craft.
I prefer materials with depth and heft, with an elemental power about them. The power comes from the natural piece that they came from, or from the way the material was created. Our palette is nature-oriented. Even steel, I consider a natural material, because it comes out of the earth.
Tuesday, February 02, 2010 | Rebecca Firestone | Add a Comment
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Olle Lundberg: Hand of a Craftsman, Part 2
“[With star clients] you have to be really “on”. There’s not much time to impress them… it’s that initial gesture that counts. You have to gain credence quickly, and bring something to the table that they didn’t expect. [When I get a new idea] it’s dreamlike at first. The idea has to be vague enough to be flexible, but clear enough to be able to return to it. I have to be disciplined about working quickly; ideas can dissipate like fog.”
Monday, February 01, 2010 | Rebecca Firestone | Add a Comment